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Composition: Piano
Unique Notes: 16 - 20
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SDG
God so loved the world, John Stainer, from the Crucifixion. John 3:16.
SDG
4:00 Est. Play
Time
78 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
T B Bass 21 0 6 7 99%
S A Treble 20 0 6 7 98%
 
It is Fulfilled, hymn version, easier; more suitable for congregation to sing. Tune: J.A. Fleylinghausen (1670-1739), Text: George Ph. van Popta. Arrangement: Gertim (SDG)
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Part_1 Treble 17 0 4 5 97%
Part_2 Bass 17 0 3 5 97%
 
Heer God, U loven wij. Opwekking 7. SATB Arrangement: Gertim.
SDG
1:49 Est. Play
Time
37 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 8 100%
Tenor/Bass Bass 17 0 4 8 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 15 0 4 8 100%
Tenor/Bass Bass 17 0 4 8 100%
 
ShermetevNinye
SDG
3:20 Est. Play
Time
51 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 39 8 6 100%
Tenor/Bass Bass 21 14 8 6 98%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 19 39 8 6 100%
Tenor/Bass Bass 21 14 8 6 98%
 
Jesu Hail! O God most holy, by John Stainer.
SDG
2:40 Est. Play
Time
34 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 17 0 4 4 100%
Bass 15 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Voice Treble 17 0 4 4 100%
Bass 15 0 3 4 100%
 
25. Gott lebet noch. Seele, was verzagst du doch?. Schemelli/Bach. Inner voices: Gertim (SDG)
SDG
1:54 Est. Play
Time
38 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 100%
Tenor/Bass Bass 17 0 2 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 16 0 4 6 100%
Tenor/Bass Bass 17 0 2 5 100%
 
191. Jesu, Jesu, du bist mein. Schemelli (No. 34), J.S. Bach, BWV 357.
SDG
1:02 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 16 0 3 6 100%
T B Bass 19 0 5 6 100%
 
33. Ich steh' an deiner Krippen hier, Schemelli, Bach, BWV 469.
SDG
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 4 100%
T B Bass 16 0 3 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 12 0 2 4 100%
T B Bass 16 0 3 4 100%
 
Het is volbracht! (variant IV). Composed by Gertim
SDG
0:48 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 3 3 100%
Bass 18 0 3 5 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Stem Treble 16 0 3 3 100%
Bass 18 0 3 5 100%
 
Jesu meine Freude, BWV 753 with completion, Giubiasco sampleset.
SDG
3:20 Est. Play
Time
13 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 5 8 100%
Bass 23 0 7 6 96%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flute Treble 17 0 5 8 100%
Bass 23 0 7 6 96%
 
2. Ach Gott, erhör' mein Seufzen!, J.S. Bach, BWV 254.
SDG
0:42 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 18 0 4 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 11 0 2 4 100%
Tenor/Bass Bass 18 0 4 4 100%
 
Es kostet viel, ein Christ zu sein
SDG
0:54 Est. Play
Time
17 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 6 97%
Tenor/Bass Bass 17 0 4 6 97%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano/Alto Treble 13 0 2 6 97%
Tenor/Bass Bass 17 0 4 6 97%
 
Hark! the Herald Angels Sing (my arrangement). Complete, special version, with tenor and alto singing the melody, stanzas 1-4, SATB.
SDG
3:40 Est. Play
Time
85 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 20 0 6 4 100%
Voice Bass 21 1 5 4 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S/A Treble 20 0 6 4 100%
Voice Bass 21 1 5 4 100%
 
There is none like You. Niemand is als U. Lenny LeBlanc. SATB acapella Arrangement: Gertim
SDG
2:17 Est. Play
Time
33 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 19 0 2 8 90%
Soprano/Alto Treble 17 0 5 7 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor/Bass Bass 19 0 2 8 90%
Soprano/Alto Treble 17 0 5 7 90%
 
20. Het is volbracht, Dutch lyrics, Nederlands, Schemelli, J.S. Bach, BWV 458.
SDG
0:54 Est. Play
Time
16 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
S A Treble 15 0 3 7 90%
T B Bass 19 0 5 5 90%